Arts Insider with Sheilon King
What is your earliest memory of experiencing the arts, and how has that moment shaped your connection to the arts today?
I have memories of music and dancing from the time my memory begins. There was always music in the house at all times. But I have two very deliberate early memories:
When I was three years old my mother took me to see Swan Lake. As a child, you do not really understand the story, BUT you do remember the images, the beauty, the movement, and the music. I fell in love with dance and ballet in the moment at that show. I then took dance (ballet, jazz, modern, and ballroom) for the next 20 years
On Sundays, my parents listened to productions of Shakesperean plays on the radio. We would play board games (Monopoly and then Scrabble when my vocabulary improved) and experience the meter, language, and beauty of the English language.
In the past year, has an arts experience stood out to you? What made it so memorable?
There have been many unique experiences, but one that continues to stay with me is In the Conservatory with A Knife from Bombshell Dance Project. Their unique take on the game Clue was fun, interactive, and compelling. I loved the fact that you got to move around and the color-coded message through costumes and movement across three floors at the Wyly Theatre, imprinted the show on my psyche. That type of creativity expands the definition of dance and engages new cohorts of people of all ages. Loved it.
Can you share your history with TACA, from your initial involvement with TACA's grantmaking programs to your current role as a Board Member? What continues to inspire you to deepen your support over the years?
Sheilon King is the current co-chair of TACA's Catalyst Grants as well as a current board member and serves as a member of the TACA's Marketing Committee.
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